Watchout Software - Projection Design

I was reading and old issue of Live Design and caught a reference to a piece of software called Watchout. I have not used it, but it looks like it would be cool - and a great tool for doing projections.  Its geared towards multi-screen productions & 3D mapping, something that is increasing in popularity.

Media and technology behind it are here to stay - at lease in the foreseeable future. What I have learned in my recent projects is that there are in and outs to the process behind creating digital designs that don't directly transfer to the way that we typically design in theatre.

Marbeling

While browsing linked in I cam across this post from ibookbinding on marbling tutorials.  I remember doing this as a kids, and thought it was lots of fun at the time.  Obviously by the title you can tell that this isn't exactly a theatrical site, but I thought that as I looked over the post, that if you adjusted the basin, you would be able to do tiles to create a marble effect onstage.  I know that scenic artists have ways of creating these effects already, but I don't think it ever hurts to have a new technique in your tool bag!

Faking Glass

On some of the TV work I have done, a designer we work with uses Screen Glass when there are windows on set for film. The material also acts as a diffuser. It is provided by Warp’s. Warps carries a variety of other “glass” products that are clear plastic.

Boxwood Hedges & Plants

Finding reaslistic greenery (usually specific plants) is always fun, and sources are always helpful. Looking for boxwood, I was suprised to see that Amazon sells in by the roll. A few months back I needed a very specific piece of laminate, which I also purchased off of Amazon because our local suppliers could not procur it. I remmeber propping in the 90's and how muh sites like ebay helped back then in the process of finding a needle in the haystack.

Also check out:
Geranium Street
Amazon Foliages
Silk Flowers Factory

Hot Set

SyFy has a new series out called Hot Set. I caught the first episode, and thought that it was interesting. I have always thought that the similarities and differences between theatre, tv & film were interesting. The froth packs (AB foam) is something that we use & is a good technique for scenery. I also liked the low tech way of making the set breathe – though I think that had this been planned from the beginning it would have been more successful. I also think the show represents some truths in film – building and set up happens quickly, yet at the same time the ideas are ever changing and evolving. I was a little surprised by how much spray paint was used, but I guess it makes sense – and I have certainly used it to get a job done quickly – and it is useful for toning. I also thought that the bit about how to age things that you have borrowed was interesting – definitely some tricks there to learn. Also, I have to say, it’s a bit convenient to be able to go and buy prop rocks, and some of the strange props that they were able to find – I am sure that these people have worked in the area and have developed these contacts – but finding those options where many theatres are located isn’t really possible, even as much as the internet has revolutionized the ability to find props and accessories. Check it out & see what ideas you can pick up & let me know your thoughts.

Trees

Trees…. There are probably as many different ways to fabricate them as there are people fabricating them… Many years ago for a theatre production we took a piece of steel, bent it and covered with plywood and fabric, then muslin & glue to create birch trees. The edges of the muslin “peeled” off in a very realist looking way – but we were only recreating trunks of the trees. Otherwise, I have seen muslin, foam, chicken wire, cnc cut and nested, foam coat, sculptorcoat, supper 88, hardcoat and polygem all used to create trees – and virtually any other sculptural shape. Plus, I have seen many “recipes” for bark usually containing some mixture of glue or binder with sawdust or shavings. One of these days, perhaps we will all get together and try all of the materials at once and be able to compare the products to each other. Until that happens, I wanted to bookmark a few additional resources about trees and sculpting material on Poly Gem’s resource pages.
How To build a tree is their first offering, followed by a page of tips. They refer to using a press mold which EHow has an article on.

In terms of buying out fake bark, take a look at:
Flex Bark
Quality Silks (also for branches and foliage)
Commercial Silk (also for leaves)
Retail Display and Props
Earth Flora
Faux Stone Sheets also sells Flex Bark, a seemingly popular brand of fake tree bark.
Van Dykes Taxidermy offers pieces more suited for props. There are also other taxidermy supply sources that sell similarly sized small pieces of fake bark.

There is also several patents that are online regarding fabricating trees and making tree bark:
Peter J. Fritsch et al
from 1939.
Jarobe
Menard

Scrim Effects

I just came across this video. Pretty amazing what a series of scrims can do. Take a look, its worth viewing & thinking about new ways that we could use traditional materials.

Prototype This

Over the holiday weekend, in the midst of doing a variety of home projects I watched the 1st (only) season of Prototype This.

The show has a core team of 4 (an electrical engineer, special effects guru, Robotics guy, and a material specialist) that join together to put together some amazing prototypes during a 10 day to 2 week period. Some of the projects they tackled were a mind controlled car that went into neutral when the driver got angry,
a backyard water slide simulator, and a flying life guard, supplying life saving floatation devices to unmanned beaches.

I liked the series, and would recommend it for several reasons.
-They use alot of materials that are used in theatre
-They show alot of different machining technologies, cnc machines, vaccuforming, laser cutting, water jetting
-They use a variety of animation / feedback and other items useful to automation.
-It shows that you can do some amazing things in 2 weeks with the right resources (granted they weren't two 40 hour weeks).
-While cash certainly wasn't an issue (budgets other than time were not even mentioned), using resources wisely was important to meet their goals. They often went to the top of the field for what they were trying to accomplish to get ideas and gain knowledge.
-I think the prototyping process is important, and too often overlooked. And, on top of being important for the realization of a finished product, challenging yourself to do a proof of concept can help you learn a variety of skills even if a finished product is not the end goal.

So if you have a few hours, take a look!

Draw Catch

While ordering a few run of the mill door catches, I came across this at McMaster Carr.
These remote actuation cable latches allow doors to be opened remotely. McMaster describes them as:

Operate these latches from a distance—a flexible cable connects the latch and the T-handle. Pull on the handle to retract the round, spring-loaded bolt. Because the cable is flexible, you can bend it around corners and other obstructions. Min. bend radius is 1.5". The recommended maximum amount of total bending is 720° . You have two mounting options: through-hole mount the handle and bolt housing(s) or surface mount them using the included mounting plates. The through-hole mounting size for the handle is 1/2". The through-hole mounting size for the bolt housings is 9/16".
Handles are plastic. Bolts are zinc-plated steel. Mounting plates are 12-ga. steel with a black-oxide finish and require #10 screws (not included). Strike plates are Type 304 stainless steel and require 1/4" screws (not included).
Please specify cable length: 2, 3, 4, 5, 6, 7, 8, or 9 feet.

These seem like they would be a great low-tech way to do a variety of special effects. I could have used something like that when I did Blithe Spirit a few years back.

USITT - Saturday

Today's excitement on the floor was Foy, ZFX, and Hall Associates flying people. The above picture is the ZFX rig.

Besides spending a few remaining minutes on the show floor, I saw two sessions today. The first was "Technical Design / Direction - In a Disney Theme Park". Chuck Davis gave an interesting view into the scale and process that goes into creating a major park element. I think what was interesting to me was the degree that they come up with an idea, but they have to internally sell the idea to get funding. Since these projects are worth millions, they spend hundreds of thousands of dollars proving the ideas and methods as they proceed. While we certainly don't produce on the scope of Disney, we also often don't invest in enough time planning and determining if something will work before we are well into the process and committed. I think sometimes we would be well served to remember that spending some preliminary funding to investigate a technique before commitment allows for a smoother process, and money saved in the long run.

Next I went to "Draw Me a Picture: Collaborative Problem Solving through Digital Storyboarding". It was chaired by Robert W. Johnson, and the presenters included Gregory K. Bell, and Greg Stump. The session was an interesting view on how technology is improving and growing as a communication tool. Some of the packages that we receive are fully storyboarded, and 3-D rendered, and I suspect that much of that is to sell the product, not really for building, but it helps on the build side as well. In 3D Studio Max they showed off the section tool to get 2-D sections from a complex 3-d shape. That is a handy feature, but not enough for me to buy the program. They also talked about modeling a complex 3-D shape (a bust for Mozart) and then doing a section about every 1/2, which was then used to machine the shape. After that they did fine tooling, and made a mold from the piece to make multiples. As great as cnc machining is, I take from this, that it still isn't to the place where it is easier to simply machine something than it is to make a mold and cast duplicated. (Which for complex 3-D items is true where I work as well). The other design they talked about was a structure used for Jesus Christ Superstar where the cross was on a cantilevered beam, and after being crucified, the cross slid back, leaving Jesus hanging against a black background. The set was cool, and the 3-D software helped them animate the sequence to make sure that everyone knew what they were looking for and to help start the technical discussions. The middle part of the session was about how they accomplished the effect. The last part largely revolved around SketchUp. having heard and seen alot of the program, I fully agree to its usefulness. The presenter showed using it to define the structure, and building off of drawings created by SketchUp. This is certainly intriguing, and though he said the tolerances were much more precise than what we need in theatre, I still am suspect. For instance I know some people who routinely use it for preliminary design development, but when it comes time to build, the tolerances are usually +/- inches - far too big to use for build.

The last session of the conference for me was "Tricks of the Stage - Stage Magic". It was nice to see so many prop related sessions this year, and I enjoyed this one as well. John M. Lavarnway chaired the session and went through, with input from his other panelists, how to put together the effect. He stressed defining the effect, research, covering liability concerns, reliability concerns, and how to work with the Actors with the trick. They then showed a variety of effects such as using solenoids for Blithe Spirit, the throwing knife trick, and turning wine into water.

By the time that session let out the expo had been closed for about 45 minutes or so, and the strike was quickly proceeding.

LEDEX Solenoids

Below is a link to a solenoid company. They have a variety of resources on their page, and are worth a look.


http://www.ledex.com/solenoid/what-are-solenoids.html

Fog Machines

Roscoe has an interesting bit on how fog machines work on their page. Their article can be seen at: http://www.rosco.com/uk/technotes/fog/how_mach_work.asp